(That
is what hydrogen atoms are capable of when you give them 15
billion years to evolve.)
monochrom is an art-technology-philosophy group having
its seat in Vienna and Zeta Draconis. monochrom is an unpeculiar mixture of proto-aesthetic fringe work,
pop attitude, subcultural science, context hacking and political activism. monochrom has existed in
this (and almost every other) form since 1993.
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Our news feed, shoggoths. Our mission is culture-archeological digs into the seats (and pockets)
of ideology and entertainment. [atom/rss/archive]
Eye movements reveal readers' wandering minds (Kafka: too engaging)
It's not just you…everybody zones out when they're reading. For a new study published in Psychological Science, a journal of the Association for Psychological Science, scientists recorded eye movements during reading and found that the eyes keep moving when the mind wanders—but they don't move in the same way as they do when you're paying attention.
[...]
Four undergraduate students at the University of Pittsburgh volunteered for the project. Each one came to the lab for a dozen or more one-hour reading sessions of Jane Austen's Sense and Sensibility, chosen because it's "fairly easy but a little bit dry," says Reichle. "We started with Kafka's The Trial, but people found it too engaging.” While the student read the book on a screen, a computer tracked their eye movements. They were asked to push a button marked "Z" when they noticed themselves "zoning out." The computer also asked every few minutes if they'd just been paying attention or zoning out.
Arse Elektronika 2010 @ Mission Comics and Art: Call for Microtalks on Sex/Tech/Art
We want to feature an evening of five minute lightning talks about technosexual art and comic culture. We call the evening "Microtalks on Sex/Tech/Art" -- and if you want to present your favorite art piece or present your own work: send us an email!
Roboexotica 2010: Festival Dates Announced / 'Robot Dreams' recommends
The Roboexotica 2010 Festival dates are set for December 2nd-5th in Vienna. If you're into robots, and are of legal drinking age, this is one event absolutely not to be missed.
Here's how the Roboexotica organization website positions this totally unique annual celebration featuring robots contributing to improving life in a meaningful way...
Cheers! Roboexotica will take place in Vienna December 2-5, 2010. Until recently, no attempts had been made to publicly discuss the role of cocktail robotics as an index for the integration of technological innovations into the human Lebenswelt, or to document the increasing occurrence of radical hedonism in man-machine communication. Roboexotica is an attempt to fill this vacuum. It is the first and, inevitably, the leading festival concerned with cocktail robotics world-wide. A micro mechanical change of paradigm in the age of borderless capital. Alan Turing would doubtless test this out.
Pirates of Barbary: Corsairs, Conquests and Captivity in the Seventeenth-Century Mediterranean
Henrik Bering on Pirates of Barbary: Corsairs, Conquests and Captivity in the Seventeenth-Century Mediterranean by Adrian Tinniswood.
As career officers will tell you, drive, determination, and a willingness to try something new are the key requirements in a competitive world. This lesson has certainly been taken to heart by the Somali fishermen who, armed with Kalashnikovs and rpgs, have made a career switch to piracy. Starting out modestly around 2005, they are no longer content just to use small craft operating from the coast, but now employ mother ships which range as far from their home waters as the Seychelles.
In 2008, they captured a Ukrainian ship, the MV Faina, loaded with tanks and antiaircraft guns, which brought in a $3.2 million ransom. Soon after came the supertanker, the Sirius Star, which netted them $3 million. And one of President Obama's early actions in office in April 2009 was to order Navy Seals to kill three pirates who were holding hostage the captain of cargo ship Maersk Alabama in one of its lifeboats. Ironically, the ship was carrying relief supplies for Somalia.
In 2009, there were 217 pirate attacks, resulting in 47 captured ships and 867 captured crewmembers. The ransom business amounts to around $100 million a year.
On shore, a stock exchange operates where investors can put up the money for future operations. Backers abroad help designate what ships to attack, assess the value of the cargo, and supply the pirates' destination and course. The pirates also have access to sophisticated equipment. To check the genuineness of the air-dropped ransom money, they have counting machines of the same type used by Western banks.
As a result of their activities, insurance premiums have shot up. Many shipping companies avoid the Suez Canal and now send their vessels around the Horn of Africa, which adds to fuel costs. Others hire private security firms to go with their ships. A multinational force patrols the Gulf of Aden. But on several occasions, when patrol ships have captured pirates, they have had to release them again because no one wants to prosecute them, as they are likely to be stuck with them, once they have served their time (Somalia is regarded as too dangerous a place to which to repatriate them). This, in the words of Secretary of State Hilary Clinton, "sends the wrong signal." As a result of American pressure, in the first piracy case to come to trial in Europe, a Dutch court in June sentenced five Somali pirates to five years in jail, which shipping analysts see as unlikely to deter future attacks. Predictably, the pirates have asked for asylum and to have their families sent over upon their release. More sensible efforts to set up regional courts to prosecute captured pirates are ongoing.
An Amoral Manifesto: A Philosopher's Counter-Conversion
In a word, this philosopher has long been laboring under an unexamined assumption, namely, that there is such a thing as right and wrong. I now believe there isn't. … The long and the short of it is that I became convinced that atheism implies amorality; and since I am an atheist, I must therefore embrace amorality.
Impressive video of asteroid discovery from 1980-2010
This rules.
View of the solar system showing the locations of all the asteroids starting in 1980, as asteroids are discovered they are added to the map and highlighted white so you can pick out the new ones.
The final colour of an asteroids indicates how closely it comes to the inner solar system.
- Earth crossers are red
- Earth approachers (perihelion less than 1.3AU) are yellow
- All others are green
WWII air raids on Japan were so successful that it was hard to find suitable targets for the A-bombs
In World War I, it was the trenches that captured the imagination of poets. In World War II, it was aerial combat.
It is a question that Mr. Swift asks repeatedly in "Bomber County." The U.S. and Britain dropped 1.6 million tons of bombs on Germany, causing civilian casualties of more than one million and rendering as many as 7.5 million people homeless. The seven-month B-29 firebombing campaign against Japan organized by Curtis LeMay is estimated to have killed a half-million people and to have left five million more homeless. It was so successful that the Air Force had trouble finding suitable targets for the atomic bombings at the end of the war. The Japanese, it should be noted, had used strategic bombing as early as 1938 in China, and Germany launched its own vast air assault on England in 1940.
Jennifer Edwards: "I hate to be a kill-joy, but the vast majority of classical art pieces were designed as product placement ads paid for by monarchs and religious institutions. The Sistine Chapel is an advertisement, just like Shakespearean plays and Swan Lake - all were bought and paid for by the wealthy for a purpose."
"Two things fill my mind with ever renewed wonder and awe the more often and deeper I dwell on them," wrote Immanuel Kant, "the starry skies above me, and the moral law within me."
Where does moral law come from? What lies behind our sense of right and wrong? For millennia, there have been two available answers. To the devoutly religious, morality is the word of God, handed down to holy men in groves or on mountaintops. To moral philosophers like Kant, it is a set of rules to be worked out by reason, chin on fist like Rodin's thinker.
But what if neither is correct? What if our moral judgments are driven instead by more visceral human considerations? And what if one of those is not divine commandment or inductive reasoning, but simply whether a situation, in some small way, makes us feel like throwing up?
This is the argument that some behavioral scientists have begun to make: That a significant slice of morality can be explained by our innate feelings of disgust. A growing number of provocative and clever studies appear to show that disgust has the power to shape our moral judgments. Research has shown that people who are more easily disgusted by bugs are more likely to see gay marriage and abortion as wrong. Putting people in a foul-smelling room makes them stricter judges of a controversial film or of a person who doesn't return a lost wallet. Washing their hands makes people feel less guilty about their own moral transgressions, and hypnotically priming them to feel disgust reliably induces them to see wrongdoing in utterly innocuous stories.
Sartre: Conversations with a 'Bourgeois Revolutionary'
John Gerassi, Talking with Sartre: Conversations and Debates, edited and translated by John Gerassi (New Haven, CT: Yale University Press, 2009), 336 pages, $20.00, paperback.
"I want to know, Sartre, how a bourgeois like you—and you, Sartre, no matter how much you hate the bourgeoisie are still a bourgeois through and through—became a revolutionary." In this way, John Gerassi once informed an audience of Jean-Paul Sartre scholars and aficionados about what to expect from the 2,000-plus pages of edited transcripts of his conversations with Sartre, taped from 1970 to 1974 and recently deposited in the Yale University library. Although this remark is not included, Talking with Sartre distills those interviews into similar challenges from Gerassi, followed by Sartre's direct, spontaneous responses. No major political and literary figure was interviewed as often as was Sartre. And nothing else, including Simone de Beauvoir's 1974 interviews with Sartre, comes close to matching the vitality and intensity here.
It is difficult to imagine anyone other than Gerassi recording encounters like these with Sartre. They range over the whole of Sartre's life and work—literary, philosophical, political, and personal. Beneath their candor and intensity lie decades of familial loyalties (Gerassi’s father, Fernando, was a renowned painter in France and a Spanish Civil War Republican general much admired by Sartre), and there were political associations as well. In the mid-1960s, Gerassi persuaded Sartre to join the International War Crimes Tribunal, hosted by Bertrand Russell's Peace Foundation to investigate U.S.-sponsored atrocities in the Vietnam War. And in 1968, Gerassi, inspired by the earlier takeover of the University of Paris—a harbinger of revolution for both Sartre and Gerassi—led the student takeover of San Francisco State University.
Gerassi is now a professor of political science at the City University of New York (in Queens) and is the author of twelve books, including Sartre's biography, Jean-Paul Sartre: Hated Conscience of His Century. His knowledge of French radicalism at the time he conducted these interviews with Sartre was probably unequalled by any American, and his in-person study of radical movements worldwide (The Coming of the New International: An Anthology, 1971) added to his unquestioned credibility with Sartre. Gerassi is personally intrigued by Sartre's persistence in identifying himself as a writer even after 1968, when he also began to identify as a revolutionary, for whom everything is political.
To chart Sartre’s political development, Gerassi takes him through his relative political indifference to the Nazis in 1933, while Sartre was studying in Berlin, and comparable disinterest in the 1936 Popular Front movement in France, arguably the most important progressive movement in twentieth century France before 1968. Sartre only entered the political battlefield for the first time after the Second World War. These war years nonetheless contributed to his political evolution in ways not often noted. For instance, Sartre describes the transformation of his "bourgeois individualism" at seeing himself and his fellow war prisoners "working together for each other’s well-being...under the heel of their German captors."
Eternal Fascinations with the End: Why We're Suckers for Stories of Our Own Demise
Our pattern-seeking brains and desire to be special help explain our fears of the apocalypse.
Once again, the world is about to end. The latest source of doomsday dread comes courtesy of the ancient Mayans, whose calendar runs out in 2012, as interpreted by a cadre of opportunistic authors and blockbuster movie directors. Not long before, three separate lawsuits charged that the Large Hadron Collider would seed a metastasizing black hole under Lake Geneva. Before that, captains of industry shelled out billions preparing for the appearance of two zeros in the date field of computer programs too numerous to count; left alone, this tick of the clock would surely have shaken modern civilization to its foundations.
You might think that the enterprise of science, with its method and its facts, would inoculate us against the most extravagant doomsday obsessions. But it doesn't. If anything, it just gives us more to worry about.
Some of the most fervent and convincing doomsayers, after all, are scientists. Bill Joy, co-founder and former chief scientist of Sun Microsystems, has warned that of out-of-control nanobots could consume everything on earth. Astronomer Royal Martin Rees has publicly offered a bet that a biological catastrophe—accidental or intentional—will kill at least one million people by 2020 (so far, no takers). Numerous climatologists sound the alarm about the possibility of runaway global warming. They all stand on the shoulders of giants: British economist Thomas Malthus predicted in the 19th century that the rise in population would lead to widespread famine and catastrophe. It never happened, but that didn't stop Stanford biologist Paul R. Ehrlich from renewing the warning in his 1968 book The Population Bomb when he predicted that global famine was less than two decades away. Catastrophe didn't arrive then, either, but does that mean it never will? Not necessarily. Still, people often worry disproportionately about disasters that are unlikely to occur.
As China and India rise in tandem, their relationship will shape world politics. Shame they do not get on better.
A hundred years ago it was perhaps already possible to discern the rising powers whose interaction and competition would shape the 20th century. The sun that shone on the British empire had passed midday. Vigorous new forces were flexing their muscles on the global stage, notably America, Japan and Germany. Their emergence brought undreamed-of prosperity; but also carnage on a scale hitherto unimaginable.
Now digest the main historical event of this week: China has officially become the world’s second-biggest economy, overtaking Japan. In the West this has prompted concerns about China overtaking the United States sooner than previously thought. But stand back a little farther, apply a more Asian perspective, and China’s longer-term contest is with that other recovering economic behemoth: India. These two Asian giants, which until 1800 used to make up half the world economy, are not, like Japan and Germany, mere nation states. In terms of size and population, each is a continent—and for all the glittering growth rates, a poor one.
Pages translated
into English by
Melinda Richka
David Fine
Aileen Derieg
Sharon Bradley
Bre Pettis
Lilly Lotus
Sean Bonner
David Bovill
Patricia Futterer
Jake Appelbaum
Dave Dempsey
Evelyn Fürlinger
Christopher Barber
Douglas Irving Repetto
Francesca Birks
Cory Doctorow
Walter Seidl
Jonathan Quinn
Daniel Eberharter
Stephen Zepke
Georg Cracked
Johannes Grenzfurthner
Leo Findeisen
Violet Blue
Upcoming performances & lectures in English language
(rss)
Arse Elektronika @ Ars Electronica Johannes Grenzfurthner will give talk about monochrom's conference series "Arse Elektronika". At "Ars Electronica" (TELE INTERNET Bau 1, 3rd floor) in Linz. September 3, 2010, 7 PM.
paraflows 2010: "Mind and Matter" What role does hardware play for media infrastructure – how is the net set up, what are the real pillars on which virtuality rests? How does the sculptural process look like, from a technological point of view? What are the effects of technological prospects on physical representation? What are the challenges that digital art must face, when it comes to conserving its works? Additionally to the applications in question, the corresponding hardware needs to be preserved as well. But how does time affect technology-based works, their conditions of production and their archives? Mind and body are inextricably tied to each other, yet we are tempted to regard mental processes as independent of their bodily basis. Can thoughts, personality or intelligence exist without a body? Or how does the aesthetic image of technology relate to its context, what kind of interconnections are made? Our exhibition MIND AND MATTER will present works from the very beginning of media art and also give an overview of current developments that combine programmes with sculpture. September 9 thru October 10, 2010. In Vienna at Künstlerhaus, Raum D and at Metalab.
monochrom @ Wiener WöRstMl, Rotterdam Collective WORM brings Vienna to De Wereld Van Witte De With. Quote: "That Austria, and especially Vienna (because the rest is all bulls and bells - and a small festival in Linz) not only precedes us 10 years in populism and xenophobia is proven by its incredibly interesting Art scene. Several pioneers of today’s Internet and new media Actionism determine the artistic climate in the city, located on the border between Eastern and Western Europe as well as the old and new world. It is thanks to these elements, and the incredible number of 'Bissel verrückte Leute’ who walk the streets, that WORM opened a branch in the MuseumsQuartier in Vienna. One of the hottest arts complexes in the world."
During wvwdw WORM presents, in collaboration with Het Chabot Museum, the ASYLABWEHRAMT event and in the future WORM (wdw63) VINDOBONA: The Dark Side of Vienna. With performances by ao. ubermorgen.com, monochrom, Dolce & Afghaner, Leo Findeisen... and films including Klaus Hundsbichler, Valie Export and John Cook. September 10-12, 2010 in Rotterdam @ De Wereld Van Witte De With.
Arse Elektronika 2010: "Space Racy" Love hotels. Swinger club design. Phallic architecture. The gentrification of Times Square, kicking out all the peep shows, and similar anti-sex gentrifications and battles. Kids making out in the back seats of cars, and people fucking in parks. Housing for unconventional family units. Augmented reality sex spaces. Furniture for sex. Room design. Creating new environments. Gendered spaces, and gender in the creation of space. Architecture by women, and the potential for the construction of a feminist architecture. Actively gender-segregated spaces, as both empowering and oppressing. Queer-segregated spaces, similarly. The acts of human intimacy, sexual intercourse, and procreation in weightlessness and the extreme environments of space. Erotic space tourism. The visibility of sex, genders, and relationship structures in various spaces. Spaces of sexual control and permissiveness. Sexual subcultures as spaces of social division. Spatial enforcement of relationship structures and gendered power structures. Geotagging as an expression for kinks. The sexual reading of architecture, especially around historical and modern styles and concerning ornament and detail. The eroticization of buildings -- architecture for whorehouses, the Las Vegas strip, people who want to sleep with buildings. What makes design "sexy" and the construction of "sexy" as an architectural category as a comment on late heteronormativity. The terabyte gloryhole. The space in which the male gaze occurs and the space it defines. Heterosexism, misogyny, and heterocentrism reinforce the dominant cultural structure and contribute to the oppression of large sectors of society. Sexuality, sex, gender, and related constructs are heavily implicated in and reproduce space, and are also constrained and restricted by it and by heterosexism. Let's explore this space of interactions! Various locations in San Francisco, USA; September 30 thru October 3, 2010.
monochrom @ Drumbeat Festival 2010 monochrom will be at Drumbeat Festival 2010 with the Hackbus. November 3-5, 2010 in Barcelona, Spain
Roboexotica 2010 Roboexotica is the annual festival where scientists, researchers, computer experts and artists from all over the world build cocktail robots and discuss technological innovation, futurology and science fiction. Cheers! Roboexotica is coproduction of monochrom, Shifz and the Bureau for Philosophy. December 2-5, 2010 in Vienna, Austria.
monochrom at CCC Finowfurt 2011 We will ride our Hackbus to Chaos Communications Camp at the former military airport Finowfurt (near Berlin). August 10 thru 14, 2011.
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feedback is Electronic feedback Postal address: monochrom, Quartier 21/Museumsquartier, Museumsplatz
1, A-1070 Vienna, Austria/Europe
Vox : +43-676-783 1453 // Fax: +43-1-952 33 84
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